I Can’t Stop Calling the National Guard Plus: a new cartoon from Nathan Cooper. The New Yorker sent this email to their subscribers on April 11, 2024. Plus: a new cartoon from Nathan Cooper.View in your browser|Update your preferences\u200a\xa0Today’s cartoon, by Nathan Cooper:“Microplastics?”Open in browser to share this cartoon »Buy a print »\u200aMore in HumorI Can’t Stop Calling the National GuardI called the National Guard when I overbaked my brownies and my smoke alarm went off; I called the National Guard when I underbaked my brownies and I was worried they might make me sick.By\xa0Charlie DektarOverheard in New York: Waiting for the Eclipse at the Brooklyn Botanic Garden“She’s a flat-earther.”By\xa0Anjali ChandrashekarIs Not Drinking a Problem for You?I wasn’t one of those people who got messy, cracking open another LaCroix with a burp, or asking to pay less when I split a bill with my friends because I’d ordered only a mint tea.By Cora Frazier\u200aThis Week’s Caption ContestSubmit a caption.Play to win.You be the judge.Help us pick three finalists by rating submissions.The final three.Help select the winning caption.\xa0The winner.See who won (finally).\u200aOne More from the Cartoon Archives . . .See cartoons for purchase in our store »\u200aName DropName DropName Drop,The New Yorker’sTrivia GamePlay a quiz from our archive: Can you guess the identity of a notable person—contemporary or historical—in six clues?\u200aMore from The New YorkerCulture DeskCan a Film Star Be Too Good-Looking?Alain Delon and the problem of beauty.By Anthony LanePersons of InterestThe Heart of LowAlan Sparhawk and Mimi Parker’s marriage was one of the most extraordinary collaborations in rock. Now, a year and a half after Parker’s death, Sparhawk is back on the road.By Justin TaylorCritics at Large“Curb Your Enthusiasm” and the Art of the FinaleAfter twelve seasons and nearly twenty-five years, Larry David’s masterpiece of observational comedy has come to an end. What does it mean to say goodbye to a work of fiction that’s become a fixture in our everyday lives?By The New YorkerProfilesPark Chan-wook Gets the Picture He WantsWith “The Sympathizer,” the director of “Oldboy” and “The Handmaiden” comes to American television.By Jia TolentinoYou’re receiving this e-mail because you signed up for Daily Humor fromThe New Yorker. Was this e-mail forwarded to you?Sign up.\xa0Manage your preferences|View our privacy policy|Unsubscribe\xa0Send feedback|Share e-mail\xa0Copyright © Condé Nast 2024. One World Trade Center, New York, NY 10007. All rights reserved.
