“The Fall Guy” Is Gravity-Defying Fun, in Every Sense
Starring Ryan Gosling and Emily Blunt, this action-comedy about a stuntman, by the stuntman turned director David Leitch, sticks its landings, but don’t expect characterization.
ByRichard Brody
On Television
“The Contestant” Is More Than a Cautionary Tale
The new Hulu documentary charts the rise of one of the earliest reality-TV stars and the ethically queasy production choices that cemented his fame—but it’s elevated by its interest in what came afterward.
ByInkoo Kang
Cultural Comment
“Challengers” Is Essentially a Well-Shot Commercial
Because the film has so little to say, viewers are free to simply focus on the vibes—which happen to be the area where Luca Guadagnino, its director, has most distinguished himself.
ByTyler Foggatt
The Front Row
“I Saw the TV Glow” Is a Profound Vision of the Trans Experience
In Jane Schoenbrun’s new feature, two teens search for their true selves through their shared obsession with a horror TV series.
ByRichard Brody
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Cultural Comment
Hayao Miyazaki’s Anti-Comfort Movie
“The Boy and the Heron” finds the filmmaker revising—and sometimes upending—the themes that have defined his career.
ByMoeko Fujii
Infinite Scroll
The Revenge of the Home Page
As social networks become less reliable distributors of the news, consumers of digital journalism are seeking out an older form of online real estate.
ByKyle Chayka
Under Review
Work Sucks. What Could Salvage It?
New books examine the place of work in our lives—and how people throughout history have tried to change it.
ByErik Baker
Pop Music
Dua Lipa Devotes Herself to Pleasure with “Radical Optimism”
In an era of postmodern, self-referential music, there’s something refreshing about the artist’s new album—short songs, big hooks, and a celebration of delight.
